Who are the victims in "Captain Corelli's Mandolin"?

War is a prominent musical theme in Captain Corellis Mandolin. This metier damages and destroys lives creating a modus operandi of victims along the way. A victim is a person killed or injured as a result of an even sot, feature or in search of an aspiration or in gratification of a passion. in that location atomic number 18 a number of victims in the fable but non all(a) of them are destroyed by fight. The megalomaniacs are those supplicate actor and domination; they are the commanders and instigators of the warfare with little see for man look. The main identifiable megalomaniac is Benito Mussolini, the Italian dictator. He is dislike by everyone, including his own soldiers and is loved further by himself: as De Bernieres himself said, almost everybody in that book is do by love, even Mussolini, who loves Italy and loves himself. Mussolini is head start presented to us in a chapter entitled: The Duce. De Bernieres chooses to save up this chapter using stream of thought which highlights Mussolinis self-centeredness and the theme of view power. Two other megalomaniacs in the novel are Hitler and Metaxas although they jam a much(prenominal) slight prominent role.

A legitimate amount of responsibility for the events of the war in Cephallonia, the Greek island on which Captain Corellis Mandolin is set, lies with Hitler, but he is not really fit until late in the novel when the German troops apprehend a direct commit from the Führer. Metaxas, however, is far more(prenominal) come to with his troublesome daughter than with encroaching(a) enemy nations: Metaxas...reflected shrilly on the two imponderable problems of his life: What am I move to do about Mussolini? and What am I going to do about Lulu? Metaxas is much more human than Mussolini as he cares for his family and his country. By contrast, Mussolini is vain, If you involve to get a rich essay, order it on our website: Orderessay

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